

Invest in a Guitar That Will Hold its Value for as Long as You Own it
1991 Paul Reed Smith
CE-24
_Scarlet Red_
Special Run - Exotic Wood Top

















Click on "Show More" above to see all 24 of the pictures in this gallery
In 1991 and even more so in 1992, the PRS shop was experimenting with series of builds featuring exotic wood tops. Cedar, Redwood, African Lacewood and Zebrawood among them. I've owned several of them along the way. The alder body CE-24's have consistently been their best live performance guitars for me and this one stands out among them. I've gigged it many times. The Redwood top has the guitar weighing in light, at just 7.5 pounds and gives it clear warm tone. It has excellent natural resonance and the Wide/Thin neck is even thinner than most. It's a pleasure to play and responds beautifully through the amplifier. She's been played a bit, as a fabulous player should be. There are some small nicks and dings in the top and a pretty good one on the side below the volume knob as seen in photo 22. They were all there when I bought it and I'm so very glad I did. I’ll give the guitar a conservative VG 8.2/10 cosmetic condition, all things considered. This piece has been with me for over 12 years now. If you're a CE guy (or girl), you're not likely to see another piece anything like this one anywhere, ever. Better yet, it comes at an asking price less than you would pay for a new CE-24 which is made of mahogany, has second tier electronics and comes with a gig bag.
It hurts to let this one go but I'm selling virtually all of my guitars at this time. If you’re looking for a dead-mint vintage PRS guitar to hang in a glass case, I have those too, including a 1990 CE-24 among them. Check my other listings. If you want a naturally aged vintage guitar that you will not be afraid to take out of its case and which will build value for as long as you own it then you’re in the right place. Age matters. Retro-builds and relic'ed finishes will never emulate the effects of natural aging on an instrument's sound and the tone that this Redwood top provides is truly special. The CE-24 model underwent many design changes when the factory opened in 1995. Those changes were essentially to accommodate a more automated production process and virtually all of those changes diminished the model. You can read more about that in the section below about Pre-Factory / Factory built guitars.
The guitar has a stunning wave-like motion to its top, which is unique to Redwood. The wavy pattern that you see in the pictures, moves as the guitar changes angles in the light. I've had a couple of Cedar top guitars built in 1991 & 92' (one CE-24 and one Custom 24). The Cedar wood grain looks similar, but it is not capable creating the visual motion that Redwood has.
The frets have no meaningful wear at all, even in the first three frets as shown in photo 6. The back of the neck has all of its original shine (photo 7). Slick, clean and fast. You can also see the exquisite, redwood grain in the natural binding and lower cut away (photos 18 & 19) The over-all appearance of this naturally aged 35 year old vintage guitar, is simply elegant and again, what a player! Comes with the original PRS hard case and tremolo bar.
These vintage pre-factory PRS guitars are an investment. You'll ALWAYS have the option to re-sell it for as much or more than you paid.
This guitar was hand made by a small group of craftsmen who were on a mission to build a world class guitar company. The outstanding quality of the pre-factory PRS guitars produced during the first ten years at the Virginia Avenue shop, is the foundation on which the PRS factory was eventually built and from which their global brand was launched.
A word on Pre-Factory PRS Guitars and Factory built PRS Guitars
The new core guitars built in the factory are fabulous instruments. Rock solid and perfect. Perhaps too perfect. I look at it as the result of feeding a blank of wood into a machine at the front end of a production line and taking a very fine guitar out of a different machine at the end of that line. Over the years, every single step of the build that can be automated, has been automated. The virtual absence of a craftsman’s hands throughout the build process somehow makes them feel like identical coins stamped out of a machine. Very, very fine coins, Yes! Yet still, a sterile product of hyper automation compared to the guitars from the Virginia Ave. shop made by the original team of craftsmen before 1995.
Before the factory opened in 1995 the PRS team built approximately 30,000 guitars in a warehouse shop over the ten years prior (~20K Customs and ~10K CE-24’s). The Second Tier (S2), Third Teir (SE) instruments were not even remotely on their radar. The fork in the road that started PRS down a path to flooding the market with cheaper models started seven years after the factory opened with the introduction of the Santana III. The S2 and SE lines that followed, have produced over 650,000 of these Second/Third Teir guitars, in addition to the half-million cores built since 1985. The USA PRS factory now produces over 25,000 core guitars each year, every year. The guitar in this listing is from the first 14,000 core guitars that PRS ever made.
Here is an overview of the permanent design changes that took place for the Custom 24 and CE-24 model when mass production began at the factory in 1995.
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The neck heel was extended, impeding access to the upper frets
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The solid block Mil-Com tremolo bridge was redesigned to a five-piece assembled unit
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The mechanical rotary (3 unique versions in the first 10 years) was replaced by a switch which routes the pickup signal through a Printed Circuit card
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The small headstock decal that identifies the guitar as a vintage original was abandon for a larger, polished gold decal
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The individual character of each instrument, was homogenized away in favor of sterile, mass production protocols
Why These Things Matter:
I’ve bought, sold, owned and gigged over 300 hundred PRS guitars throughout the past 25 years. The original, Pre-Factory, mechanical blue wafer rotary switch provided direct connection between the vintage pickups and the output jack. All guitars that came after 1995 have newly designed rotaries, which utilize a printed circuit board to channel the pickup’s signals. Where there were three versions of the original rotary which provided unique pickup coil combinations, all rotaries after 1995 are coil-configured exactly the same. The circuitry of the printed circuit rotaries also suppress the raw signal from the pickups subtly, in a way that the original mechanical switches do not.
I’ll never understand the neck heel change. I believe they sacrificed that feature to accommodate automation during the build process. In 2011 PRS created a Guitar Center “Throwback 1985” run of Custom 24’s. The model was not true to spec in several key aspects. The neck heel was shaved down to a passable version of the original short heel contour, so why can’t they put a short heel on all of them?
The one-piece Mil-Com bridge is said to be more resonant. I don’t know if anyone could tell the difference, but it is unique to the pre-factory guitars, it does weigh more than the assembled bridges and was probably re-designed just to cut costs.
The headstock decal change is sort-of a good thing. Like the short neck heel, the small signature decal is an immediately recognizable indication that a PRS guitar was made between 1985 and 1994 in the Virginia Ave shop, with a considerably higher level of hands-on, personal craftsmanship in the build.
A Word About Vintage Instruments:
You can tell when you have a true vintage instrument in your hands. The resonance of the wood which has aged naturally for decades simply can NOT be duplicated in a new instrument. The Retro, Relic, Custom Shop, Re-Issue, Private Stock, Murphy Lab, Master Built, Throw-Back, etc. guitars can all be built to their original spec, but will never replicate natural aging of the wood through the passage of time. This is a vintage PRS guitar in excellent condition, which is ready for you to honestly, respectfully and authentically “relic” as you make it your own. All at less than the cost of a new core Custom that will sell for half what you paid for it, four years from now. If you’re casually looking here out of curiosity, while thinking more seriously about buying your sixth SE in a different color, your third S2 or a new CE-24, give some thought and consideration to selling some of what you’ve already got to buy a vintage Core PRS instead. Pre-Factory PRS guitars are still affordable and will always increase in value, for as long as you own, play and hold them.
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Please be sure to take a moment and click here to look at my ABOUT page or access it from the top menu bar. I encourage even the smallest of questions so always feel free to e-mail me any time. Over 140 of my online feedback ratings are from PRS guitar sales.
This guitar is also listed on sites with a starting price of $350 more than I'm asking here on my site, just to put a dent in the seller fees they would charge me for a transaction there.
Why pay more than you have to? Check my feedback and buy it here. It may be gone soon. Send me an e-mail and we'll talk.
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$2150.00 Includes shipping to the lower 48
I recently heard someone a lot smarter than I am say:
"Life is short..... Buy the guitar".
Here are some things to think about as you look through the pictures. Read MUCH more at the bottom of the listing page.
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A rare & collectable Exotic Wood pre-factory guitar with a Redwood top.
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White label HFS & Vintage Bass pick-ups
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Three-way toggle with Push/Pull coil splitter
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Small neck heel for best access to the upper frets, available only on these pre-factory (1985-1994) guitars
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A Wide/Thin neck carve that is even thinner than most
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One-piece Mil-Com bridge for maximum resonance
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A vintage PRS, with tone wood naturally aged since it was built 35 years ago
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Built in an age when ALL PRS guitars were Core PRS guitars
Click on any picture to enlarge and/or scroll through the gallery
Scroll Down for 24 Hi-Def Pictures